I loved that my research could matter. I loved the people I worked with, the new ideas I encountered, and the satisfaction of producing something tangible: papers, presentations, models, results.
But gradually, I noticed something about my own excitement.
Much of it came from what the research could do.
That mattered to me (and it still does!) But I was also searching for another feeling: the urge to keep thinking about a question even when there was no obvious application waiting at the end of it.
I wanted to know whether an idea itself could be enough.
At HCSSiM, I found out.
What captivated me there was not the satisfaction of producing a useful result. It was something much stranger: the joy of not knowing.
During my second week, I went seven days without solving a single major problem on the daily sets. Every night, I made observations, noticed patterns, formed conjectures, disproved them, and started again. I knew my usual ways of thinking were not working. What I did not yet know was what should replace them.
At first, that uncertainty was maddening. Then, slowly, I began to enjoy it. I was learning how to be lost. Eventually, I broke through and solved one of the major problems. But the solution itself is not what stayed with me. What stayed with me were the hours before it: wandering through examples, following ideas that failed, discovering small structures that led nowhere, and continuing anyway.
Those hours taught me that mathematical progress is not simply a sequence of clever insights. It grows out of uncertainty, persistence, failed conjectures, and the willingness to remain with a question long before you know whether it will yield anything at all.
For the first time, I understood that mathematics could be meaningful in two very different ways.
Sometimes, its beauty lies in what it allows us to do. But sometimes, its beauty lies simply in what it allows us to see.
In a sense, HCSSiM brought me back to the kid on the YMCA floor — the one who did not need a prize, a publication, or an application. He just wanted to make sense of the strange pattern hiding in the chaos of tiles.